亚
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Sam Feder
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《揭开面纱：好莱坞的跨性别人生》以前所未有、令人大开眼界的方式探讨了电影和电视剧中对跨性别者的描绘，揭示了好莱坞如何同时反映和制造我们对性别最深层的焦虑。 包括拉弗恩·考克斯、莉莉·沃卓斯基、恩斯·福特、MJ·罗德里格斯、杰米·克莱顿和查兹·波诺在内的跨性别思想家和创意人士，分享了他们对一些好莱坞经典片段的反应和抗拒。 通过《弗州迷魅》(1914)、《热天午后》《哭泣的游戏》和《男孩别哭》等电影，以及《杰斐逊一家》《拉字至上》和《姿态》等节目，他们追溯了一段既无人道又不断发展、复杂、时而幽默的历史，从中可以一窥屏幕上的跨性别形象、社会看法和真实跨性别生活之间的相互影响。导演萨姆·费德尔以崭新的视角重塑了熟悉的场景和标志性人物，让观众面对未经检验的假设，并展示了曾经引起美国人遐想的事物如今如何引发新的感受。在我们如何看待和理解跨性别者方面，《揭开面纱：好莱坞的跨性别人生》引发了一场惊人的革命。
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路易斯·普恩佐
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When school teacher Harriet Winslow goes to Mexico to teach, she is kidnapped by Gen. Tomas Arroyo and his revolutionaries. An aging American, Ambrose "Old Gringo" Bierce also in Mexico, befriends Gen. Arroyo and meets Harriet. Bierce is a famous writer, who knowing that he is dying, wishes to keep his identity secret so he can determine his own fate. Though he likes Arroyo, Bierce tries to provoke the General's anger whenever possible in an attempt to get himself killed, thus avoiding suffering through his illness. Winslow is intrigued by both Bierce and Arroyo, and the men are in turn attracted to her. She becomes romantically involved with Arroyo. When Winslow learns of Bierce's true identity (a writer whose work she has loved and respected for years), she is singlemindedly determined to fulfill his dying wish.
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帕特里西亚·玛佐
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The film (and the acting) is superbly done, but the story is intense. I like it for its' dark, thick, "Cul du Sac" psychology but it is certainly not for everyone for that very reason. Set in isolated, rural France makes this film all the more desperate. The film is about strenuous relationships, loyalty - and despair. It is about accepting hardships without really understanding them. It is also about pity and how it is to be distinguished from love and admiration. I've seen many French films with the same intensity and I'm guessing that it will be mostly the French who will enjoy this film. The acting is superb in this film – if you're in the right state of mind and don't loose your concentration. Jean-François Stevenin ALWAYS impresses me. He doesn't disappoint me here either. For general audiences, however, I'd recommend his performance in "Deux Lions au Soleil" which is much more easily palatable than "Peux de Vaches". Despite the fact that I like "Peux de Vaches", I have difficulties recommending it to anyone other than French audiences and perhaps someone with a morose demeanor.
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盖瑞·尼尔森
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Get Smart, Again! is a made-for-TV movie based on the 1965-1970 NBC/CBS television series, Get Smart!, which originally aired February 26, 1989 on ABC (ironically, the network that rejected the original pilot for the Get Smart! TV series). It has subsequently been released twice on DVD by different publishers. In the video release of the movie, the background canned laughter (pre-recorded laughter added later to the soundtrack), is absent. Overview Differences between Get Smart, Again! and The Nude Bomb The film is not as well known as the earlier theatrical release, The Nude Bomb, also based on Get Smart, but was better received by fans of the original program. Unlike The Nude Bomb, which featured only the characters of Smart, The Chief (with Dana Elcar replacing the deceased Edward Platt), Agent 13 (Dave Ketchum in the series, portrayed by Joey Forman in The Nude Bomb, who had played the character Harry Hoo in the series) and Larrabee, Get Smart, Again! featured all of the surviving original cast reprising their roles. The tone and feel of Get Smart, Again! were also closer to that of the original series. Get Smart, Again! was written and produced by Leonard Stern, who was a producer of the original series. One element of the Nude Bomb ignored completely was the renaming of CONTROL as PITS in the earlier film; although as CONTROL is said to have disbanded in the 1970s, it's not impossible for both CONTROL and PITS to exist within the continuity of the franchise. Barbara Feldon's character, 99, makes a reference to T.H.R.U.S.H., the evil organization in The Man From U.N.C.L.E., a show on which Feldon guest-starred. Theme music Get Smart, Again! also reprises the TV program's original theme music and opening credit sequence, which were absent from The Nude Bomb. In this case, however, the corridors were covered in cobwebs and the phone-booth elevator that led to CONTROL headquarters worked in reverse, causing Smart to be thrown to the top of the booth. Synopsis Maxwell Smart, acting as a protocol officer since CONTROL was disbanded in the early 1970s, is reactivated as a counterintelligence agent by Commander Drury (Kenneth Mars) of the United States Intelligence Agency. KAOS, long considered defunct, has been revitalized by a corporate takeover. Its first scheme involves turning a forgotten American scientist and using his weather control machine to extort $250 billion US dollars from the United States Government. Drury, convinced that only Smart has the expertise to combat KAOS, gives him carte blanche to reactivate former CONTROL agents to assist him in his task. Along with Drury's bumbling aide, Beamish (Steve Levitt), Smart recruits Larrabee (who, believing that he was under orders from Richard Nixon to stay at his post until relieved, has been living in his office in the now-abandoned CONTROL headquarters tending his office plants), Agent 13, Hymie the Robot (now employed as a crash test dummy) and ultimately, his wife 99 (Barbara Feldon) to find the security leak that allowed the scientist to defect, locate the weather machine and disarm it. They are opposed by KAOS moles within the USIA, who are able to predict Max's every move with the aid of stolen copies of 99's unpublished memoirs. The visible head of the KAOS scheme is revealed to be Max's old nemesis, Siegfried, but he is merely the agent of a higher executive whom even he has never met. This higher power is finally revealed as Nicholas Demente (Harold Gould), 99's publisher, who intends not only to extort the money but also to create weather that will keep people eternally indoors and interfere with television reception, forcing millions to entertain themselves by buying Demente's books and publications. Comedic style The script is littered with typical Maxwell Smart verbal gags, and large portions of the plot serve only as set ups for Get Smart!-style sight gags (such as a duel between Max and a KAOS hitman using remote controlled file cabinet drawers). The film also features the array of bizarre gadgetry and political satire that were hallmarks of the original series. The cone of silence has been superseded by "Hover Cover" where a meeting is held on a rooftop with three helicopters hovering overhead. The failure of Hover Cover leads to the development of "The Hall Of Hush",a soundproof room where words print out silently in mid air, a success at first until the words begin to print forward, backward and on top of each other. Max changes the well known quote "Dr. Livingstone I Presume" to "Dr. Hottentot I Presume". 1995 revival The relative success of the film prompted the development of a short-lived 1995 weekly series on FOX, also titled Get Smart, with Don Adams and Barbara Feldon reprising their characters as their bumbling son, Zach (Andy Dick), becomes CONTROL's star agent. 原班人马啊，好想看。TAT
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迈克·菲吉斯
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新任视察员雷蒙特和助手艾米奉命调查警察局内部一起贪污案时，发现了另一个更加隐秘的犯罪网，涉及到了声望很高的警官佩克。佩克实际上是个十分阴险的人，他一面与雷蒙特装作友好，一面又挑拨雷蒙特夫妻间的关系。调查中发现佩克有很多女人，且凡是与他交往密切的警察都很富有。被怀疑有贪污行为的斯德雷奇打电话给妻子彭妮，让她与雷蒙特做一笔交易，而此时彭妮正和佩克情意绵绵，佩克于是派人暗杀了斯德雷奇。实际上佩克一直在充当受雇杀手，就在他又去接受一起杀人买卖时，雷蒙特和艾米赶到现场，但未能抓到他。随后，他又杀死雇主，并到雷蒙特家中恐吓他妻子凯瑟琳，雷蒙特及时赶来，二人又展开一场拚杀。
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罗瑞·肯尼迪
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在《一落千丈：波音大调查》这部令人不寒而栗的纪录片中，曾获奥斯卡提名的电影人罗瑞·肯尼迪揭露了企业对问题的漠视和贪婪如何导致两架波音 MAX 737 飞机在短短五个月内相继失事。在航空专家、新闻记者、前波音职员、美国国会和受害者家属的主导下，这部电影揭开了一家曾经备受推崇的公司背后一味削减成本和掩人耳目的文化。《一落千丈：波音大调查》痛斥来自华尔街的败坏影响，并指出美国企业所秉承的理念的危险之处 — 有时这甚至事关人命。本片由罗瑞·肯尼迪执导和制作，马克·贝利制作和联合编剧，布莱恩·格拉泽和朗·霍华德监制。
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艾伦·J·帕库拉
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拉斯迪（哈里森·福特 Harrison Ford 饰）在检察院里打拼多年，最终成为了首席检察官。某日，助理检察官卡洛琳（格列塔·斯卡奇 Greta Scacchi 饰）出现在了拉斯迪的身边，主动对他投怀送抱。原来，卡洛琳觊觎拉斯迪的首席检察官之位已久，她希望帮助拉斯迪坐上监察处处长的职位，自己则可以渔翁得利。 哪知道拉斯迪并非野心勃勃之人，对向权力顶峰攀爬并无兴趣，得知了计划落空，卡洛琳果断的离开了拉斯迪。然而某一日，拉斯迪忽然得到了卡洛琳被杀害的消息，令他感到匪夷所思的是，凶案现场的种种证据，都在控诉拉斯迪就是罪魁祸首。拉斯迪知道自己落入了某人一手策划的陷阱之中，而愿意为他辩护的，只有他自己。
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Stacey Lee
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Follow Olivia Rodrigo as she recounts the memories of writing and creating her debut album. Take a look on her journey from Salt Lake City to Los Angeles.
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列纳特·达夫列吉亚罗夫
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故事发生在1942年的夏天，瓦斯柯夫准尉（皮欧特·费奥多罗夫 Pyotr Fyodorov 饰）带领着他的女机枪手们驻扎在一处偏远的村庄中，某日，班长丽达（阿纳斯塔西娅·米库齐娜 Anastasiya Mikulchina 饰）意外的撞破了两个德国士兵要袭击苏联重要军事基地的阴谋，她火速将这一消息带回了部队中。 瓦斯柯夫准尉带领着丽萨（索菲亚·列别杰娃 Sofya Lebedeva 饰）、迦尔卡（克里斯蒂娜·阿斯姆斯 Kristina Asmus 饰）、索妮娅（雅戈尼娅·库兹涅佐娃 Agniya Kuznetsova 饰）、冉妮娅（叶夫根尼娅·马拉霍娃 Zhenya Malakhova 饰）和丽达，这五名部队里的精锐人员前往丛林之中一探究竟，等待着姑娘们的，除了狡猾的敌人外，还有非常恶劣的自然环境。
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路易斯·曼多基
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二十七岁的马克斯（詹姆斯·斯派德 James Spader 饰）是一位事业有成的广告人，不久前，他的妻子不幸去世，至今，马克斯都未能走出丧妻的悲痛阴影中，个性也因此而变得封闭和阴沉。 某日，他来到了一间小酒吧喝酒解闷，在这里，马克斯遇见了名为诺拉（苏珊·萨兰登 Susan Sarandon 饰）的四十三岁女招待。命运让这两个身份地位和年龄都悬殊巨大的人相互吸引，诺拉让马克斯暂时淡忘了痛苦，马克斯亦教会了诺拉什么是尊重，随着时间的推移，他们坠入了爱河。然而，这段世人眼中并不匹配的恋情注定要遭到诸多的考验，最终，他们的真爱能否战胜世俗的非议和彼此之间巨大的鸿沟呢？